Synopsis
Moyenne
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In much fiction, animals exist as author stand-ins—or even more reductively as symbols of good and evil. In Millet’s ruthless, lucid prose—each story based on a news item, biography, or other fact-based account of a celebrity-animal relationship—animals are as complex and rich as our imaginings of them. In these spiraling fictional riffs and flounces on real life, animals show up their humans as bloated with foolishness and yet curiously vulnerable—as in a tour-de-force, Kabbalah-infused interior monologue by Madonna after she shoots a pheasant on her English estate.
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