Synopsis
It’s Christmas, and for the first time in years the entire Birch family will be under one roof. Even Emma and Andrew’s elder daughter—who is usually off saving the world—will be joining them at Weyfield Hall, their aging country estate. But Olivia, a doctor, is only coming home because she has to. Having just returned from treating an epidemic abroad, she’s been told she must stay in quarantine for a week…and so too should her family.
For the next seven days, the Birches are locked down, cut off from the rest of humanity—and even decent Wi-Fi—and forced into each other’s orbits. Younger, unabashedly frivolous daughter Phoebe is fixated on her upcoming wedding, while Olivia deals with the culture shock of being immersed in first-world problems.
As Andrew sequesters himself in his study writing scathing restaurant reviews and remembering his glory days as a war correspondent, Emma hides a secret that will turn the whole family upside down.
In close proximity, not much can stay hidden for long, and as revelations and long-held tensions come to light, nothing is more shocking than the unexpected guest who’s about to arrive…
For the next seven days, the Birches are locked down, cut off from the rest of humanity—and even decent Wi-Fi—and forced into each other’s orbits. Younger, unabashedly frivolous daughter Phoebe is fixated on her upcoming wedding, while Olivia deals with the culture shock of being immersed in first-world problems.
As Andrew sequesters himself in his study writing scathing restaurant reviews and remembering his glory days as a war correspondent, Emma hides a secret that will turn the whole family upside down.
In close proximity, not much can stay hidden for long, and as revelations and long-held tensions come to light, nothing is more shocking than the unexpected guest who’s about to arrive…
Titre original : Seven days of us (2017)
Moyenne
10.0
1 vote
FAIBLE
1 édition pour ce livre
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Ce n’est pas le genre de livre qu’il faut lire pour se mettre dans l’esprit festif. Ce livre est triste, les personnages sont antipathiques et stéréotypés. Le seul point « intéressant » : la quarantaine vue en 2017, avant l’arrivée du COVID. Maintenant on pourrait presque relativiser, mais au moins on peut se projeter.